If you know anything at all about House music, you’ll know that its roots are based in both revolt and inclusion. From the early days at the Warehouse, House music provided a place where people were able to go and express themselves collectively in a way that the strict segregation of standard clubs did not allow. “Spiritually and aesthetically, it developed in the U.S. out of the need of oppressed people, African Americans, gays and Latinos, to build a community through dance”(reference).
From very early on, the rise of dance music in the UK was also part of a rejection of what many considered to be repressive social policies. Thatcherism, which involved privatization of previously nationalized industries and the weakening of trade unions, led many to dance not only to release their tension and frustration but also to collectively reject the status quo. Dance music offered an alternative, more inclusive, an outlook that rejected an emphasis on capitalism and the individual vs. the collective.
That’s what House is about.